Skip to main content

surrealist


Catfish walking sideways down the never-ending hall.
The waves are crashing hard against the wooden castle walls.
 Red carpet spans the spiraling staircase.
Up, up, up, it goes.
See the stars twinkling down into the yard,
a massive garden erupts from the ash.
Petals are dancing through the night
as the brisk air whistles through the trees.

Say it isn't so as the night begins to end
the sun peaks his head up from the waters loving grasp
horses silhouetted atop the river's hills
dew sparkling in the new found light
hearts are racing through the fields of green
If home they were, then home they must go.
Eyes are sparkling in crevices and crooks.
One more day may pass, or has it gone?
Just listen to the moonlight as it starts to sing its song.

Comments

Popular posts from this blog

Final response

This class has taught me a lot about the different types of poetry, and how to use them in an effective manner. I honestly never knew there were so many kinds of poetry. I should have guessed that since poetry is an art form, it would go through all the same movements as something like painting would.  Poetry can be especially challenging for someone that is very visual, like myself, but I enjoyed getting to learn about all the different ways to create poems. I am a strong believer in all forms of art because even if you never master something, the learning experience will help your brain to think in different ways you might not otherwise try or realize. Poetry is very effective in this as its many forms allow you to problem solve and create new things in different ways. Art strengthens the mind in ways that no other subject can.   Another thing this class has taught me is there is no wrong way to do poetry. I wasn't sure what to expect coming into it, but I'm glad I cho

response

An “Image” is that which presents an intellectual and emotional complex in an instant of time. I use the term “complex” rather in the technical sense employed by the newer psychologists, such as Hart, though we might not agree absolutely in our application. It is the presentation of such a “complex” instantaneously which gives that sense of sudden liberation; that sense of freedom from time limits and space limits; that sense of sudden growth, which we experience in the presence of the greatest works of art. -EZRA POUND When I decide where to put line breaks in my poems I normally go by rythym. A lot of my poems double as songs, as I like to put the words to music. Therefore most of my breaks are every four lines, as to keep up with each verse. Although if I were not writing a song I would put the break where is seems natural, like a pause or conclusion of a topic. Where your breath naturally ends. Edward Hirsh talks about the latter in an artice about the line and when to create

imagist wolf

1) A wolf sulks through the shadowy night under glowing moonlight 2) Swiftly gnashing yellow teeth fur protecting from the cold 3) Quiet footsteps hushed through dirt A quiet warning 4) Only blood will remain